Hollywood, 1939. The town is buzzing. Legendary producer David O. Selznick has halted production on his ambitious new epic, Gone with the Wind, the much-anticipated adaptation of Margaret Mitchell’s novel. The problem? The screenplay simply doesn’t work. So what’s a powerful mogul to do? While juggling the demands of impatient stars, gossip columnists, and even his own …
Hollywood, 1939. The town is buzzing. Legendary producer David O. Selznick has halted production on his ambitious new epic, Gone with the Wind, the much-anticipated adaptation of Margaret Mitchell’s novel. The problem? The screenplay simply doesn’t work. So what’s a powerful mogul to do? While juggling the demands of impatient stars, gossip columnists, and even his own …
Hollywood, 1939. The town is buzzing. Legendary producer David O. Selznick has halted production on his ambitious new epic, Gone with the Wind, the much-anticipated adaptation of Margaret Mitchell’s novel. The problem? The screenplay simply doesn’t work. So what’s a powerful mogul to do? While juggling the demands of impatient stars, gossip columnists, and even his own …